Skip to main content

Writing Hates You

Writing is death.

Writing robs you of life.  It literally sucks the life from you.  It's a fat, slurping, pulsing leech hooked into your jugular day and night.  Every hour spent hunched on a chair at the keyboard shortens your lifespan.  Studies prove it.  Sitting for long periods wrecks your circulation, raises cholesterol, and shortens your lifespan.  Five years, ten years -- your love of writing will surely punch your ticket way sooner than designed.

Writing is killing you just as surely as smoking, drinking, or parking yourself on the couch for hours and hours a day.

Writing means ignoring the real world.  Writing disconnects you from reality.  It's a solitary exercise, a long journey into oneself.  The trip commences when you enter a cold black tunnel.  You wait for the light to return but, after many miles, you finally realize this tunnel never ends.

Writing dissolves friendships and strangles new ones, because a writer must give up social activities and instead sit that butt in that chair and pound that keyboard.  Writing demands you pull the blinds on every window, lock every door, switch off every light.  Writing hates sound.  Writing hates light.  Writing hates LIFE.

But most of all, writing hates YOU.

It knows you're not good enough.  Writing is every disapproving parent of every girlfriend or boyfriend you've had and will have.  Writing wants you to fail.  Writing throws every obstacle in your path to make you stumble and fall and look like an idiot in the process.  Writing watches you gleefully, laughs when you fail, and is already planning the next speed bump, the next pot hole, the next detour.

People who aren't writers think writers have it easy.  They think writers pay no price for the glory of fame and fortune.  After all, writing costs nothing, right?  Words come free.  No visit to the store to restock.  No relying on other people to perform their small task in the big project.  Non-writers believe all a writer does is think it and write it.  Anyone can write.  Anyone can think.  How hard can it be?

Writing is death, that's how hard it can be.  And it should be the first thing taught in English class.  Etched in white chalk on that blackboard: WRITING IS DEATH.  WRITING HATES YOU.

There should be rehab for writers.  I'd go.  Six weeks later I'd throw open those doors and emerge a beautiful butterfly, newly thankful for the warm sunshine and the cool summer breeze and the sweet scent of a million flowers.  I'd join my butterfly brethren and we'd flit and frolic, love and laugh and...

I'd kill myself.

I don't want to be a butterfly.  I don't want the light.  I want the dark.  I want the emptiness.  I want the nothingness.  I want a void I can fill.  I want the absence of life so I can create life.

Writing hates me.  I want writing to hate me.  I don't want friends.  I want a nemesis.  There's no challenge without one.

Writing is death.  It can be no other way.  Only through death can stories come to life.


CODA: For anyone less enthusiastic about the "embrace sweet writing death" philosophy, go ahead and raise your desk to standing height, get yourself a writing partner, and enjoy your extra decade of productivity, you beautiful butterfly.






Comments

Popular posts from this blog

Andrew Stanton (PIXAR) - transcript - Keynote, Screenwriting Expo 5 (2006), Understanding Story: or My Journey of Pain

UPDATE, March 2012: New TED 2012 Talk by Andrew Stanton, covering much of the same material recorded here. READABILITY TIP:  For easier reading and to prevent eye strain, narrow the width of your browser tab to reflow the text into shorter lines. I recommend a words-per-line count of 12 to 15. As soon as I found it on Google Video, I knew I would have to transcribe it. Here is all of Andrew Stanton's keynote from Screenwriting Expo 5 (2006). He named it: "Understanding Story: or My Journey of Pain." I have not transcribed the Q&A that followed the keynote. Perhaps I will tackle it one day. Not for a while -- this transcription consumed quite a few of my nights, and I'm happy to be done with it. And now that I can look at it from head to toe, I can see it was worth every coffee-fueled keystroke. With Stanton's experiences and lessons to guide us, we cannot fail to become better storytellers. Note: Andrew talks FAST, so this transcript ...

The 4-Act Story Diamond

Update: new version of the 4-Act Story Diamond graphic here . Update 2  (2023): Even more 4-act structure , courtesy of Stan Williams. I don't believe in the three-act screenplay story structure. It's four acts, plain and simple. I said so ten years ago on Jack Stanley's Scrnwrit list, and nothing has changed since. Four acts, no more, no less. I'm sorry those screenwriting gurus sold you on three acts and then five acts and then seven acts or -- what are we up to now? Nine? Twelve? Look, we're all grasping for the magic template that will reign in the chaos and tame our wild stories, so I don't blame you for listening to those guys. The four acts were there all along and the screenwriting gurus knew it, or at least sensed it. Certainly Syd Field knew it, although he failed to make a clean break from the dogmatic Aristotle three-act structure . I swear, if I hear once more that line about "Get your hero up a tree, throw rocks at him, then get him ...

4-Act Story Diamond v2

This model represents the Hero's Journey in four acts. It supplements my old story diamond. Click the image for a larger view. Discussion about the eight plot points is here .