Of All The Screenplays In All The World ...

Chris Farlekas discusses the WGA's list of the 101 greatest screenplays of all-time and some of their authors, e.g. heyday scribes Koch and Mankiewicz.

Of Koch and Casablanca:

As he wrote, he didn't know which man Ingrid Bergman would end up with. He felt it needed to be Paul Henreid, her husband and a great resistance leader against the Nazis. The studio was pressuring for the more conventional leading-man-gets-leading-lady resolution. Koch told me if he'd lost the fight, he believed the movie "might still have been an entertaining melodrama, but certainly not the classic it became."

Comments

Andrew Stanton (PIXAR) - transcript - Keynote, Screenwriting Expo 5 (2006), Understanding Story: or My Journey of Pain

UPDATE, March 2012: New TED 2012 Talk by Andrew Stanton, covering much of the same material recorded here. READABILITY TIP: For easier reading and to prevent eye strain, narrow the width of your browser tab to reflow the text into shorter lines. I recommend a words-per-line count of 12 to 15. As soon as I found it on Google Video, I knew I would have to transcribe it. Here is all of Andrew Stanton's keynote from Screenwriting Expo 5 (2006). He named it: "Understanding Story: or My Journey of Pain." I have not transcribed the Q&A that followed the keynote. Perhaps I will tackle it one day. Not for a while -- this transcription consumed quite a few of my nights, and I'm happy to be done with it. And now that I can look at it from head to toe, I can see it was worth every coffee-fueled keystroke. With Stanton's experiences and lessons to guide us, we cannot fail to become better storytellers. Note: Andrew talks FAST, so this transcript

The 4-Act Story Diamond

Update: new version of the 4-Act Story Diamond graphic here . Update 2 (2023): Even more 4-act structure , courtesy of Stan Williams. I don't believe in the three-act screenplay story structure. It's four acts, plain and simple. I said so ten years ago on Jack Stanley's Scrnwrit list, and nothing has changed since. Four acts, no more, no less. I'm sorry those screenwriting gurus sold you on three acts and then five acts and then seven acts or -- what are we up to now? Nine? Twelve? Look, we're all grasping for the magic template that will reign in the chaos and tame our wild stories, so I don't blame you for listening to those guys. The four acts were there all along and the screenwriting gurus knew it, or at least sensed it. Certainly Syd Field knew it, although he failed to make a clean break from the dogmatic Aristotle three-act structure . I swear, if I hear once more that line about "Get your hero up a tree, throw rocks at him, then get him

4-Act Story Diamond v2

This model represents the Hero's Journey in four acts. It supplements my old story diamond. Click the image for a larger view. Discussion about the eight plot points is here .

Rage Against The Page

Search This Blog